Storytelling With Sound: Light, Colorful, and Rhythmic
When can the woodwind section be useful in a film?
When you have filmed a scene that you feel needs some movement, but the vibe shouldn’t be heavy. You can think of it like having pastoral vibes, not unlike running through a meadow. Think of two kids talking to each other about life, watching the clouds go by in the afternoon. Think two lovers chasing each other through a sunny and sparse farmland. Think youthful dreaming and optimism.
I have often used woodwinds as a color substitute for strings, and often for a balance between other instruments outside of the orchestra. To me, I think one of it’s strengths is in it’s color variety.
Music*
Your browser doesn't support HTML5 audio
Score**
Budget
If recorded in Austin with me conducting and I was able to contract the right people for the job, this cue would cost an estimated $1,150 to record with live musicians.
Why so expensive for a 10 second cue?
When you buy tiny fractions of time of the musicians, you still have to pay them for even getting to the studio. Therefore, as a filmmaker, if you want to go the orchestral route for your story, think bigger. Getting musicians in the studio for a 10 second cue is much more expensive per capita than getting them in there for 30 minutes of playing.
Light, Colorful, and Rhythmic composed by Dave Wirth. Copyright and Published 2019 Fire, Fire, Red Star Down! ASCAP. All Rights Reserved.
**Score for Light, Colorful, and Rhythmic is copyright and published 2019 Fire, Fire, Red Star Down! ASCAP. All Rights Reserved.